Tag: Paurnfeindt

Meyer’s masters

On this day, 443 years ago, Fechtmeister Joachim Meyer published his magnificent fencing treatise ‘Gründliche Beschreibung der Freyen Ritterlichen und Adeligen Kunst des Fechtens’. Exactly one year later, on February 24th 1571, he died from sudden illness, while travelling to take up his position as Fechtmeister at the court of the Duke of Mecklenburg in Schwerin. Currently, I am writing on a couple of books about the Polearms of Joachim Meyer, and to commemorate both Meyer’s legacy and his far too early death, I am here sharing a rough draft for one of the chapters, as a small ‘teaser’. Please...

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The Rose and the Pentagram

This article is written to accompany the recent article about the mysticist, and possibly even fencer and a Freyfechter, Heinrich Agrippa. If you haven’t read the article, it is suggested you do so, before reading this article. Die Rose (the Rose) is a longsword, dussack, rappier and quarterstaff technique described by fencing masters starting from about 1516AD. This striking sequence, as used by several masters including, Andre Paurnfeindt, Paul Hektor Mair [1] and Joachim Meyer [2], and several later derivative works [3], has confused some of us as we try to understand the relationship between the name and the application of the technique. To be able to understand Die Rose I believe we need to understand what connotations the renaissance man had to the word rose and with that understanding we can apply it to our interpretations of the technique. The following article might seem like a novel by Dan Brown, but explores some of the ideas the men and women of the Renaissance shared, sometimes in more or less secret societies. Symbolism regarding the human body and strength & weakness, geometrics, angles and actions all tie together in the various illustrations of many fencing treatises of the Renaissance and we need to examine this topic both broadly and deeply. Here, the relationship between the Rose, the Pentagon and the Pentagram are crucial to our interpretations. Having studied the topic for some time, I would suggest that...

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How do you do the Vom Tag?

No, it’s not the hottest, new move on the dance floor. It’s just the old High Guard as it is taught by Master Liechtenauer and his disciples, may God rest their souls. But how should it be done, really? The guard Vom Tag is a simple thing when you look at it super- ficially. However, when you examine the often ambiguous advise given in the manuscripts and reflect on the possible translations of words and sentences, while comparing with the illustrations, you soon realize that the term Vom Tag contains a very broad spectra of possible stances. Basically there...

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How do you grip a sword?

Gripping a sword may sound like the easiest part of fencing; I mean it is just a matter of grabbing a sword and holding on to it. However, as we will briefly examine below, at least with some fencing masters like Hans Talhoffer, things are just a little bit more complicated than that. In fact, the practice of gripping the arming and longsword in different ways may well have been a strong factor in the development of swords with complex hilts. These are various images showing variations in grip and wrist angles with different types of sword. The earliest...

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