Welcome to HROARR
Resources for the Historical European Martial Arts and Sports Community
The HROARR site focuses on different aspects of Historical European Martial Arts. It is meant to serve both as a help to active HEMA practitioners and as a source of inspiration for people that are unfamiliar with this form of Martial Arts. At its core the HROARR site is a free online HEMA magazine with contributions from the whole community. It is also a neutral meeting ground where we can all connect, share and learn from each other using the tools provided by the site.
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"Take great pains in your knightly practices" - A brief review of Medieval and Renaissance training methodologies
Few men are born brave; many become so through care and force of discipline. - Flavius Vegetius Renatus Many pages have been written on the subject of medieval and renaissance combat treatises, every year new translations, books, essays and blogs are added to the...read more
This video was recorded by the MFFG at the 4th Meyer Symposium in Iowa, USA, 2016 and is yet another small sidetrack from the series. It shows two basic techniques with Meyer's quarterstaff; Schnappen and Zucken. Both these techniques absolutely require that you...read more
This video was recorded by the MFFG at the 4th Meyer Symposium in Iowa, USA, 2016. It is a small sidetrack from the series and shows two basic techniques with Meyer's quarterstaff; Ruck and Truck. Ruck requires a soft or medium bind to work and just won't work with a...read more
King and Fool - The Vier Leger of Liechtenauer’s Tradition and their relationship with common medieval German archetypes. Exposition includes three things: The letter, the sense, and the inner meaning.1 Alfred Hutton mentions a curious incident. His fencing group in the London Rifle Brigade...read more
Almost exactly a year ago I was lucky enough to be taken on a small journey that has been a long time dream of mine; walking in the footsteps of 16th cent fencing master Joachim Meyer, visiting the city where he spent many years teaching as Fechtmeister; Straßburg. I...read more
This article gathers a series of notes written while studying the sources on the Iberian montante sword of the late XV century and following centuries. The extant sources are listed and analysed. Different approaches to teaching this weapon's handling are described, stressing those who can provide a context for its use.read more
This article shall group Joachim Meyer's Ringen into collections of similar throws. Hopefully this will better aid the modern student in learning Meyer's Ringen. All of the throws have been rewritten into a modern step-by-step method from Dr. Forgeng's translation...read more
“Finding yourself assailed by enemies, and supposing there are many of them, the situation demands nothing less than attacks like those of a desperate man, that is to say you must enter liberally into the fray” Giuseppe Colombani (1711) The scarcity of advice for...read more
Continuing with his four part series on The use of the saber in the army of Napoleon, Dr. Bert Gevaert now presents the fourth part: Wounds caused by the saber Introduction Soldiers and officers in the army of Napoleon led a life full of risks and sometimes the...read more
Continuing with his four part series on The use of the saber in the army of Napoleon, Dr. Bert Gevaert now presents the third part: Individual martial prowess on the battlefield Stories about individual swordsmen are the most fascinating ones and in this...read more
Continuing with his series on The use of the saber in the army of Napoleon, Dr. Bert Gevaert now presents the second part: Antoine Fortuné de Brack: Avant-postes de cavalerie légère (1831) De Brack was a French officer who participated in several military campaigns of...read more
Here is a rough diagram that tries to explain the core mechanics that go through all of Meyers fencing and which are the foundation for the footwork and weapon mechanics, regardless of weapon. These mechanics apply to pretty much all of Meyer's teachings, with...read more
- DE STUDIO LEGENDI, Paris, 1120’s. Book two; chapter eight:... read more